My parents wouldn’t let me shave it earlier, so I made a PowerPoint presentation to convince them. I strategically put pictures of bald women in there.
Providing, meaning to a mass of unrelated needs, ideas, words and pictures – it is the designer’s job to select and fit this material together and make it interesting.
All of my walls are covered with framed pictures of my friends.
I love filmmaking, and I love the process. And I would rather do nothing else. It’s a privilege to be able to paint such big pictures, so to speak.
I really don’t like going out anymore. I used to love it, but now it’s not fun. I’d rather have friends come over and hot have to worry about crazy people taking pictures.
I love all of the arts. I love motion pictures. I love stage. I love theater.
When I’m tired, I see industrial pictures. But I’ll see one every two months. If I see one every day, I’ll become an idiot.
I went from a guy, kind of a working actor, a supporting player, to magazine covers and being offered the studio pictures really quickly. Nobody was comfortable with it. I wasn’t really comfortable with it.
I couldn’t take pictures of green rolling hills.
Every man’s work, whether it be literature, or music or pictures or architecture or anything else, is always a portrait of himself.
Human behavior in the midst of hardship caught my attention very early on, and my first stories were all pictures, no words.
I don’t know why people are so obsessed with finding out stuff before the movie comes out. It’s so much more fun to just go. I mean, I don’t do that. I don’t go looking for stuff that I’m interested in, you know, to try and find out pictures and what the movie’s about. It’s so much more fun to be surprised.
Occasionally I’ll be a producer for hire on a larger budget movie, but with Blumhouse Pictures, we mainly focus on micro-budget, under-$5-million-dollar movies. That’s what we’re in business to do, and that’s what we’re in business to make.
I’m one of nine children, and I have a lot of pictures.
Time extracts various values from a painter’s work. When these values are exhausted the pictures are forgotten, and the more a picture has to give, the greater it is.
I hate all the old pictures of me before 2010 – and they are always the first ones to come up. That’s why I don’t Google myself, man.
The funny thing is musicians often love to go to see visual art because you’ve got all these pictures to turn into metaphors.
If your pictures aren’t good enough, you aren’t close enough.
I’m not good at taking pictures. I can’t give a good face. I crack up.
If the chemistry is right between star and photographer and the geometry of the pictures pleases the star, often the two people end up with a long-term professional friendship during which they continue to work together and to produce highly personal images.
I work on stories rather than individual pictures.
Well, you know, it’s been interesting because an album is just a snapshot of where you are at that time. Not all pictures of everybody are just in jeans and a ‘T’ shirt, or a ball gown. You have many different sides and this is a snapshot of where you are at that time.
All chefs have pictures of food in their phones, stuffed pig’s ears and pigs’ heads and the like.
I was in Paris, Milan and London from ’89 until ’91, and I did mostly runway modeling. I know there’s so many people out there looking for pictures, but this was way before the age of the Internet, sorry!
Everyone keeps asking you for pictures, and after a while you get tired of that. I always say, They are in the archives.
Pictures, abstract symbols, materials, and colors are among the ingredients with which a designer or engineer works. To design is to discover relationships and to make arrangements and rearrangements among these ingredients.
Fifteen years ago, I suffered a stroke, which caused me to lose my speech. Now, what does an actor who can’t talk do? Wait for silent pictures to come back? I work with a speech therapist twice a week.
One rainy Sunday when I was in the third grade, I picked up a book to look at the pictures and discovered that even though I did not want to, I was reading. I have been a reader ever since.
Novelty is always welcome but talking pictures are just a fad.
Do I need fifty finger-painted pictures by my toddler, or is one enough to capture this time of life? Mementos work best when they’re carefully chosen – and when they don’t take up much room!
My sister, who is a wonderful and beautiful actress now, when she was 11 or 12, she would go out and take pictures of the punk parties in the desert. She used to have blue hair, and she got kicked out of Las Vegas Day School for having blue hair.
I like having the digital camera on my smart phone, but I also like having a dedicated camera for when I want to take real pictures.
I don’t watch the movies I’m in – ever. Sometimes I keep pictures, but that’s it. I used to watch my movies, because I didn’t want to be rude to the people making them, but I stopped a few years ago. I think it’s pretty common among actors. It’s like listening to your own voice, but multiplied by a million.
A good picture book should have events that are visually arresting – the pictures should call attention to what is happening in the story.
Bloated budgets are ruining Hollywood – these pictures are squeezing all the other types of movies out of Hollywood. It’s disastrous.
I don’t smile a lot in my pictures. I’m always so… grim.
All my pictures are built around the idea of getting in trouble and so giving me the chance to be desperately serious in my attempt to appear as a normal little gentleman.
I’ve looked at pictures that my mom has of me, from when I was four years old at the turntable. I’m there, reaching up to play the records. I feel like I was bred to do what I do. I’ve been into music, and listening to music and critiquing it, my whole life.
Vietnam is often called our only uncensored war, but that only means that the government wasn’t vetting the pictures and words.
I definitely devote so much more time to acting, but since it only takes a day or two to shoot and get pictures out – whereas for acting, you do an audition, or loads, and you might not get any of them – so I did the modeling stuff because, obviously, if I have the opportunity, I’m going to take it.
I just have friends that don’t sell their pictures to newspapers.
As long as the world continues to be strange and interesting, I still want to take pictures of it.
You’ve got to push yourself harder. You’ve got to start looking for pictures nobody else could take. You’ve got to take the tools you have and probe deeper.
I never seek controversy or foresee it for my pictures. I take a personal stand, and perhaps because my films are on contemporary subjects, people do not share my point of view.
Pictures are for entertainment, messages should be delivered by Western Union.
I go and see anything that’s visually new, any technology that’s about picture-making. The technology won’t make the pictures different, but someone using it will.
I’m a storyteller. I love to tell stories about brands. I love to tell stories, period. I like painting pictures through the words, and that’s what I do.
But, I would always be thinking of how pictures are constructed and colour, how to use it, I mean you’re using it for constructing, makes you think about it, the place did as well.
What I find problematic is the suggestion that when, say, Madonna adopts an African child, she is saving Africa. It’s not that simple. You have to do more than go there and adopt a child or show us pictures of children with flies in their eyes. That simplifies Africa.
I grew up wanting to be a painter and paint pictures.
I love 3-D. I have been a big fan of 3-D for a long, long time. I took my 1988 wedding pictures in 3-D!
My style of songwriting is influenced by cinema. I’m a frustrated filmmaker. A fan once said to me, ‘Girl, you make me see pictures in my head!’ and I took that as a great compliment. That’s exactly my intention.
Mourning Ruby is not a flat landscape: it is more like a box with pictures painted on every face. And each face is also a door which opens, I hope, to take the reader deep into the book.
The secret of all effective originality in advertising is not the creation of new and tricky words and pictures, but one of putting familiar words and pictures into new relationships.
I like the gritty parts of fashion, the design, the studio, the pictures.
My pictures are my eyes. I photograph what I see – and what I want to see.
I don’t believe that you can judge the worth of a movie in the atmosphere in which it comes out the first time. There’s just so many reasons why some pictures don’t catch on.
Of course, I’d like to produce and direct a blockbuster, but you gotta build up to that. So now I’m learning from a bunch of little movies. And it’s more fun with smaller pictures. It’s more creative.
I don’t picture myself as a normal person when I play football, and I don’t think anyone else pictures me that way as well.
In all our perceptions, from vision to hearing, to the pictures we build of people’s character, our unconscious mind starts from whatever objective data is available to us – usually spotty – and helps to shape and construct the more complete picture we consciously perceive.
