It’s like, whenever I do any kind of cover, if it’s a jazz piece or pop cover, I want to honor the original and make sure that the bulk and the juice of what makes that so great is there, but take it to a different place.
Right backs now should be the highest paid players in every team! Strikers just have to score. Midfielders, they pass. Goalkeepers make saves. Full backs have to mark, cover centre backs and midfield, get forward and cross, take shots and provide the link to strikers.
I’m not a media darling. I’m not on the cover of all these magazines. I just quietly do my thing.
We made this really dumb decision to put on the cover nothing from South Park but just a real life photo of a piece of pooh dressed up like Mr. Hankey, and a lot of people didn’t, they didn’t even know what it was.
I think the first album cover was considered most provocative. I think that contributed a great deal.
I have one mascara that I use religiously, and I refuse to try anything else, and if they discontinued it I would probably cry. Cover Girl lash blast, in the orange tube.
I talk about the NFL Draft on a daily basis because this is the sport I cover – this is the show I do – and I talk about everything that’s taking place every single day.
I was on the cover of a lot of newspapers. I was on the cover of USA Today for every single day for a month. I was on the masthead, so I tend to get recognized a lot, and in weird places. It’s always flattering, and it’s always odd. It’s always at the worst possible time.
I can only speak from my own personal experience, being behind the camera and in front of it, but every magazine cover you see is completely airbrushed.
Today’s Islamic fundamentalism is also a cover for political motifs. We should not overlook the political motifs we encounter in forms of religious fanaticism.
There is a lot of noise and conflict in our political discourse, which is fun to cover, but I’m convinced from my travels that people also thirst for more details as well as insight and context.
Being a cover artist is not like being a real artist. That’s just copying what someone else did.
Emphasize your strengths on your resume, in your cover letters and in your interviews. It may sound obvious, but you’d be surprised how many people simply list everything they’ve ever done. Convey your passion and link your strengths to measurable results. Employers and interviewers love concrete data.
I’m interested in so many different things and I’d like to cover a lot of territory. I’m trying to see my show as the Sunday ‘Times.’ You have the Arts & Leisure section, you have the Op-Ed page, you have the Book Review… even the Style section has those wonderful essays about relationships.
I was successful very quickly. I was on the cover of ‘Vogue’ before I knew it.
My team-mates at Chelsea have told me about the ‘Kante-facts.’ It is just a bit of fun. I obviously do not cover 30 per cent of the surface of the earth.
A good pump is a silhouette, like the bone structure of the face. It’s like a beautiful face with no make-up. You can cover a not-so-beautiful face with make-up, but it is just a mask – it is the same with shoes.
When I was a kid growing up, I always thought I would be a journalist, and I thought, you know, I’d cover stories about other people, and we’re always taught never to make the story about yourself.
If publications want to publish images and stories from a certain person, they should put that person on assignment, cover his or her expenses, make sure they have access to security briefings and experts, someone to administer first aid, etc.
I don’t think any media has to feel obliged to show the cover of ‘Charlie Hebdo.’
It was a scandal when I did French ‘Playboy’ in 2008, though I was never actually nude in it. I think it’s really funny that I’ll have a cover of ‘Playboy’ to show my grandkids.
When you cover the economy as a reporter, there’s one part of the job that is always easy: finding economists who disagree.
I watch these actors who when you go to buy a pint of milk you see them smiling on the cover of 20 magazines. Then when you see them in a film it’s hard to believe the character because you just see them everywhere.
I’ll never forget the day when a woman came up to me and said, ‘No, you could never be on a magazine cover. Your face features don’t work; your eyes are small, you have a small face but a big nose.’ I was only 14 and I had never noticed any of that stuff, you know?
I did a cover of the James Bond theme, and I felt like such a fraud, because the original is so good.
No, one of the great things about my three-year deal is that it’s year-round. They’ve offered me an opportunity to cover a lot of things in the offseason, too.
My opinion of covers is that unless you’re going to change and take a cover in a new direction, it’s gonna get put up against the old one, and you’re gonna lose. It’s like, which would you rather listen to? The Righteous Brothers’ ‘Loving Feeling’ or Hall and Oates’ ‘Loving Feeling?’
I was a club kid. I was on the cover of ‘New York’ magazine and discovered like that.
When you have a nonverbal conversation with a total stranger, then he can’t cover himself with words, he can’t create a wall.
My father was into fame and leaving his mark. He was a city planner, sort of a genius in that world, the Robert Moses of Philadelphia. He was on the cover of ‘Time’ once, and I remember going to his office and seeing, like, two hundred copies, which he would hand out to people.
When I published a book earlier this year about Uber, the most common question I got about it was how many of the tumultuous events of 2017 I was able to include. My gag-line response: I managed to cover the first 17 scandals of the year, but not Nos. 18, 19, 20, 21, 22, and so on.
James, that’s a bad situation. I’m not saying it’s not repairable, but it’s pretty far. When you go from being in one of the best bands in the world to some cover band… as far as I’m concerned, he was playing down at the pub.
I think you will see a point where the traditional model of advertising on TV or advertising online will go, and advertisers will cover one programme, no matter what platform it’s being broadcast on. You’ll see the same ads whether you are watching it on your TV, your computer or your phone.
