Top 44 Props Quotes

You gotta give props to Ozzy as the creator of all evil faces. What would we do in photo sessions if it were not for Ozzy?

Mick Foley – the match we had at Backlash is one of my two or three favorite matches ever. Much props to him: he puts his body on the line, and what he did for me that day, I’ll never forget.

Every time a Hollywood director shoots a film about Africa that features a Western protagonist, I shake my head – because Africans, real people though we may be, are used as props in the West’s fantasy of itself.

I steal props from ‘SNL’ a great deal. Almost every sketch I’m in, I try to grab something from it, so I have a storage space full of props.

I admit that I’ve been beaten up so many times in films, but we do not fake it – we actually have to fight when we shoot to make it real and to save film and time. Even the props that are not real, like the bats are plastic, but they’re still very hard, so it still hurts.

What props up biological research, at least in the vaunted U.S. of A., involves a situation so deeply imbued with entitlement mentality that it has sunk into institutional corruption.

A lot of times, you’ll be flipping through country radio and there’s just no substance. Like I’ve said before, it’s all about props: Solo cups or whatever. It’s not about a dude’s work day or someone that lost a good friend or relative. There’s nothing to hold onto when you’re going through something.

To me, spending millions of dollars recreating the world’s sadness with actors and props and sets – it seems like a kind of arrogant waste of money… Unless, that is, it’s a film about an historical event.

I carried props into the subway – the latest ‘Semlotext(e),’ a hefty volume of the Frankfurt School – so that the employed would not get the wrong idea or, more to the point, the usual idea about me.

I do like to keep mementos from my work, whether they be photos, the backs of make-up chairs or even props and clothes.

People say I give too much credit to people but it’s not about that. It’s about being real. And being real is giving props when it’s due. You can’t be hating or mad when you see people doing their thing. I love it. If you mad then you not doing something right.

I love to come in and play with a wig or glasses or clothes. I love using props. I’m from the Peter Sellers school of trying to prepare for the character.

Well, really the way worked was that I had probably built fifty robots before Mystery Science Theater, and I had sold them in a store in Minneapolis in a store called Props, which was kind of a high end gift shop.

I’ve seen the harshest of reggae purists come give me my props because I’ve been at it for so long… They’ve seen me come from the hardest of hard-core dancehall to where I am, and they’ve heard my music change through the years. Some might not agree, but they respect.

An acting assistant stage manager in a theater in Canterbury, a rep theater. A small wage but just enough to get by on, and I made props and I walked on, and I changed scenery, and I realized that I just loved it.

I always would hear people say, ‘Omarion is underrated,’ or ‘Omarion doesn’t get the props he deserves,’ and I always thought that was interesting because I have had a certain level of success.

I feel like New York built me – it made my mindset really strong. I give props to New York for making that happen.

You can’t act alone. Use the props, the setting, the crew around you, and of course, your fellow actors.

I watched a couple of really bad directors work, and I saw how they completely botched it up and missed the visual opportunities of the scene when we had put things in front of them as opportunities. Set pieces, props and so on.

Huge props to Brian Michael Bendis for sort of shaking up the Marvel universe and just saying ‘there need to be people of colour in these comics otherwise it’s not representing the true world the way it should be.’

There’s some projects you’re – where you’re worrying that the continuity isn’t right because people aren’t watching after your hair or wardrobe or props, or you’re not sure you’re getting shot at the right angle.

I don’t follow any system. All the laws you can lay down are only so many props to be cast aside when the hour of creation arrives.

‘Mad Fashion’ follows the everyday workings of me and my workshop, where we make fashion, costumes, props, and couture!

Good actors are always looking for props. They’re looking for behavior. It makes it a lot easier. You’re not solely dependent of what’s coming out of your mouth. You’re also less self-conscious, less aware of the camera.

The props of being a Leeds United player in my own home city is good and the rewards in football are very good so it helps me to look after my family and they are the reasons why I carried on pushing, to help my family.

Now, everyone has their talents, but working with props is not one of mine.

We have grown up watching women be used as props on a man’s journey. It’s not our fault that that’s what we saw as children. But we need to acknowledge that and do better.

I ask everybody, who’s the best between Magic and LeBron? Everyone says Michael’s greatest. But, OK, well, we’ll give him his props. But LeBron is a better athlete, and he can do more than Michael on the basketball court.

I spend my money on my props and my creations. I’m an inventor.

It bring a tear to my eye to see native New York people give me my props because New York is stubborn and arrogant.

Acting is all about big hair and funny props… All the great actors knew it. Olivier knew it, Brando knew it.

I think it’s dependent on where life takes me. For sure, I absolutely adore acting. It has been my passion from a very young age. But at the same time I am very intrigued by the camera, and also very intrigued by props.

And finding the hat, I always like to find the hat. And then props just dress the set. It’s all fabulous.

We always wanted to have this big show. So we just kind of started doing little things, like building our own little props, and starting to put on a show. And we just started seeing the response, and it felt amazing to us, and then I fell in love with it.

I want to bring magic back to where it started, which is not about the props, and it’s not about me as a magician: it’s about the audience and playing with their minds and playing with their perception of magic and having fun with it.

I like to add props to render the specificities of place – paintings, food, clothing, signs, infrastructure, music, sayings and slang particular to the region and particular to the character. And props shouldn’t just sit there; they should get used.

An actor has to be very, very careful, as one of the most wonderful props – and actors love props – is a cigarette. There’s so much to do with it: you can bring it up to your face, play with the smoke. It’s just the greatest – ever since I was 16 and in acting school in England, I’ve been playing around with cigarettes.

The main prank that we play with props is for people’s birthdays. The special effects people will put a little explosive in the cake so it blows up in their face – that’s always fun to play on a guest star, or one of the trainees or someone who’s new.

I used to bury myself in character parts and put on a lot of makeup and use a lot of props. At first I thought it was clever to put on false noses and to do funny voices, but then I suddenly thought, no, that’s wrong, you don’t do it from the outside, you work from within.

Many in the Somali community are excited to vote and support candidates who have shown an ability to lead with integrity and not use props and gatekeepers to get their votes.

In my film ‘Queen’, there was a funny moment with the bra. My director called and said they are blurring the bra. They said it is vulgar. Our director was furious about it. We are artistes… We see props as they are. A woman’s bra is not a danger to the society.