The Savior has suffered not just for our iniquities but also for the inequality, the unfairness, the pain, the anguish, and the emotional distresses that so frequently beset us.
Success and failure are emotional and physiological experiences. We need to deal with them in a way that is present and calm.
Macro-trading requires a high degree of skill, focus and repetition. Life events, such as birth, divorce, death of a loved one and other emotional highs and lows are obstacles to success in this specific field of finance.
Being a sweet tooth myself, I would say that I never deprive myself of anything. It contributes to my physical and emotional health.
No one would feel embarrassed about seeking help for a child if they broke their arm – and we really should be equally ready to support a child coping with emotional difficulties.
I’ve always thought of acting as more of an exercise in empathy, which is not to be confused with sympathy. You’re trying to get inside a certain emotional reality or motivational reality and try to figure out what that’s about so you can represent it.
The more melodies and chord changes, the less good it is for the clubs, but the better it is for radio, because it makes it really emotional.
Applause should be an emotional response to the music, rather than a regulated social duty.
I think when it comes to decisions, I try not to be emotional. To drown out the noise and look at the important facts.
Ultimately, what we do as musicians, I think of us as a type of emotional engineer. We essential take these sound waves, this sound, and we organize it into emotion, and that’s how we connect with our audiences.
There are various kinds of savagery: emotional, spiritual, economic, and cultural savagery.
For a creative writer possession of the ‘truth’ is less important than emotional sincerity.
I thought as an actress I would be able to have broader emotional experiences, but then I quickly figured out that I wanted to think about tragic dramas, not act in them.
Vengeance is the act of turning anger in on yourself. On the surface it may be directed at someone else, but it is a surefire recipe for arresting emotional recovery.
I’ve got the FA Cup tattooed on my leg and the Leeds United emblem, too. On my back, I’ve got, ‘It’s been emotional,’ which is my line from ‘Lock, Stock & Two Smoking Barrels.’ I’m fond of my tattoos, and I’m still having more.
You can go crazy and play solos in the right place, and that’s great because it can intensify and bring an emotional lift. But the thing is you don’t want to get in the way of the song.
I’m a very emotional person.
The movie business is very much like that: people in authority making purely emotional decisions instead of interesting rational ones.
I don’t like party music. I like emotional music.
As an emotional eater, I eat to soothe.
Con men look for human frailty to exploit. This is most often greed. Trump found a different vice: anger. The emotional are always the most susceptible to manipulation.
I am not a victim of emotional conflicts. I am human.
Women are more emotional, and it’s natural to talk about it.
The computer can’t tell you the emotional story. It can give you the exact mathematical design, but what’s missing is the eyebrows.
I try to cast actors willing to believe in the world of the movie, who can make an emotional investment in the world we are creating.
The impulse for me to want to make sculpture is because I want to make statements, really, on a purely emotional level. And it’s also somewhat of a challenge to see how that can be done with materials and objects that really are not emotional, in and of themselves.
A lot of my emotional issues come from dealing with the opposite sex. I’ve come to terms with the fact that I’ll be retired before I can finally enter into a healthy relationship.
If you give me a typewriter and I’m having a good day, I can write a scene that will astonish its readers. That will perhaps make them laugh, perhaps make them cry – that will have some emotional clout to it. It doesn’t cost much to do that.
The spiritual quest was always the predominant aspect of my life. It’s always been there. But there’s also an incredible passion connected to it; it’s not just a dry investigative process. I have been extremely emotional about it, and that comes out in the songs.
When you’re playing football, and your enemies are there, you don’t have a lot of time to think to yourself. You’ve got stuff to handle. You’ve got places to be, meetings to go to, bigger fish to fry. You really don’t attack the emotional side of your life.
You don’t want to be the guy whose back’s to the camera in the emotional part of the movie. So, you have to be aware of the camera movement and what the camera’s doing.
The amygdala is like a point guard in the emotional part of your middle brain. When it is overwhelmed, it hijacks you away from being able to access your upper rational brain and think and assess what to do. It essentially disables your ability to think.
There is no evidence that dogs have the kind of complex emotional lives and value systems that we do. It’s one reason why we love them so much, in fact. They are neither “good” nor “bad.” They don’t hold grudges, act in petty ways, or seek revenge. They read our moods, but not our minds.
I get tired too, just like everybody else. Sometimes I tell people that, but all I get is people saying that being vulnerable and weak is just not like me. I rarely get the response of emotional support I want. But sometimes I need it.
I am emotional, honest, and sensitive and a great human being because of my dad. Tough and independent woman because of my mom.
I use color in terms of emotional quality, as a vehicle for feeling… feeling is everything I have experienced or thought.
Nothing is quite so emotional and passionate as what goes on inside of a family. People are driven to distraction by a father or a mother or a husband. Or a child.
Perhaps the better word is emotional yes, I am an emotional man.
The British feel of blues has been hard, rather than emotional. Far too much emphasis on 12 bar, too little attention to words, far too little originality.
My skating is a very emotional thing that comes from the heart, never doing it for the medal.
Dad was the pitching coach, while Mom was the emotional supporter. Her unconditional love was great, and she wanted what was best for me. It was more about what she did than what she said, and she made sure I was the best I could be.
We can’t forget what happened on May 4th, 1970, when four students gave up their lives because they had the American constitutional right of peaceful protest. They gave up their lives. And to sing that song in that spot on that anniversary was very emotional for us.
I wanted to be on the stage, doing very important emotional roles.
The fact is that great musical pieces take and hold the stage because they provide great emotional experiences.
People in chorus tends to be much more emotional or at least wear their hearts on their sleeve. They are generally the kind to hold hands and cry. It’s just a different personality type.
Ice cream is the perfect buffer, because you can do things in a somewhat lighthearted way. Plus, people have an emotional response to ice cream; it’s more than just food. So I think when you combine caring, and eating wonderful food, it’s a very powerful combination.
A lot of young directors, they’re not confident; they’re not open to the emotional level of the scene.
It’s a big thing in my music to highlight being human – being emotional and powerful, like a goddess.
When I got back I found myself being very emotional about the time spent in Rwanda in a way that I hadn’t been able to or allowed myself to be when we were there.
I realized going back and writing and explaining in details the difficulties I had lived actually became emotional again. It’s like therapy but sometimes therapy can be painful. But it’s part of life and part of the autobiography so I’ll have to finish it sooner or later.
It’s not that I’m necessarily looking for things that are so dark and emotional. But if I see something where the character goes through enormous change, it’s very appealing to play all those levels, and that is probably going to involve some dark moments.
It is not up to me whether I win or lose. Ultimately, this might not be my day. And it is that philosophy towards sports, something that I really truly live by. I am emotional. I want to win. I am hungry. I am a competitor. I have that fire. But deep down, I truly enjoy the art of competing so much more than the result.
‘Lakshmi’ is a dance film, a musical that deals with the emotional bond between the guru and his sishya.
I don’t really understand why everybody doesn’t want to direct. It’s an absolutely fascinating combination of skills required and puzzles set on every possible level, emotional and practical and technical. It calls upon such a wide variety of skills. I find it completely absorbing.
‘Cars 2’ is about a character learning to be himself. There’s times in our lives where people always say, ‘Well, you’ve gotta act differently. You should always be yourself.’ That’s the emotional core of the story.
What I’ve tried to do in my stage magic is to take a trick and give it an emotional hook.
