Words matter. These are the best Shoot Quotes from famous people such as Akiva Schaffer, Gigi Hadid, Jimmy Chin, Chevy Chase, Sarah Polley, and they’re great for sharing with your friends.
‘The Watch’ is first and foremost a comedy, but since I got to shoot the film using elements from the sci-fi genre, I wanted to make sure the alien didn’t look goofy. I got to make a real alien that looks dangerous. That was a big plus for me because I got to do something really fun and cool.
A lot of the time, we’re shooting summer campaigns in winter because they have to come out the next season. It’s the hardest to feel great in a bikini when it’s cold… so I appreciate a swimsuit shoot that’s in warm weather.
As a professional climber and photographer, I am asked to shoot in a lot of situations with a lot of different people. Sometimes I’m with the hardest, most seasoned alpinists in the world. Sometimes I’m hanging out with celebrities doing a benefit climb.
It’s incredible. Twenty-three minutes on the air, and I’ve got to shoot for twelve, fifteen hours a day. What the hell’s that?
I always look for an intense experience, an intense ride. There is nothing better than a good zombie movie where you run crazy and blow at monsters! It was a physical shoot and I enjoyed it.
In a very real sense, all you do when you’re shooting film or television is you shoot a scene, and then you shoot another scene, and then you shoot another scene.
I love the idea of documentaries. I love seeing documentaries, and I love making them. Documentaries are incredibly easy to shoot. The ease with which you can hear something’s going on, somebody’s going to be somewhere: That sounds so interesting. Pick up your camera and go.
They often ask me to shoot for them. But I say no. I think an old guy like me ought not take pages away from young photographers who need the exposure.
We must force the government to stop the bird migration. We must shoot all birds, field all our men and troops… and force migratory birds to stay where they are.
A lot of times when I’ve been offered film series and stuff, if they shoot in Los Angeles, I lose interest.
It isn’t hard to practise finishing. You can do it on your own: just take a couple of touches and shoot at goal. You can do it with whatever equipment you have.
I never have broken up in comedy, ever. There’s something about me that I just don’t break on camera – maybe because I’m just so cheap, and I know how expensive it is to shoot – but I broke on ‘Sordid Lives,’ and I broke on ‘The Office.’ Those are the only two times in my life.
The hardest part of my job, daily, is to not laugh while we shoot.
I do a lot of decision making before each shoot. It’s a luxury to be able to choose what you do.
At least the Pilgrim Fathers used to shoot Indians: the Pilgrim Children merely punch time clocks.
The thing is, when I feel like I have to lose weight, the opposite happens. I remember stuffing loads of chocolate on the plane to the shoot, and I thought, ‘Why don’t you have the courage to show up in a body that’s natural, not overly worked out?’
Things aren’t right. If a burglar breaks into your home and you shoot him, he can sue you. For what, restraint of trade?
It’s going to you know, I can’t go out there and shoot par and win. Everybody is playing well, and I think you’ll have to go out tomorrow and have 4, 5, 6 under par probably.
I can goof around with other people right up to when we shoot.
The word ‘good’ has many meanings. For example, if a man were to shoot his grandmother at a range of five hundred yards, I should call him a good shot, but not necessarily a good man.
I write music as a staff writer for Universal Music Group, and I have since 2007. I’ve never talked about it publicly because I wanted to earn the right to be in the same room as the great writers I write with and not shoot my mouth off because I’m an actor. It’s really important to me, and I really care about it.
My whole approach is very much about using the locations as a world, trying to find the beauty in the time of day we shoot or the ugliness of it, in cases.
Think about Medusa, with the snakes. If you shoot a movie in Europe, the financiers are three snakes, and they all have opinions. In Hollywood there are, like, 20 snakes.
I’d really likely to shoot wildlife documentaries. I watched so many of those as a child, and I’m quite into wildlife and love photography as well, so that’s something I’d like to do.
Once I had gone for a shoot at a remote Fiji island in the middle of Pacific Ocean and I was thoroughly bowled over the popularity of this character there! I’ve also got positive feedback from U.K., U.S.A., Canada, Pakistan and Dubai for my performance as Brahmanad.
I’ve reached a point in my career when I can demand certain conditions, and one of them is a weekend break every three weeks during the shoot.
Electricity can be dangerous. My nephew tried to stick a penny into a plug. Whoever said a penny doesn’t go far didn’t see him shoot across that floor. I told him he was grounded.
You have to slow your heart rate, stay calm. You have to shoot in between your heartbeats.
I think I’m changing the game. In that sense, I’m what Steph Curry is to basketball. Don’t get me wrong: I don’t necessarily think Steph Curry is the best basketball player, but he changed the game, so he’s going to always go down as being remembered. Now everyone wants to shoot the 3 and shoot it from deep.
I wake up every morning, and life is different. I’ve got a gig or a shoot. Flying here, flying there. Meeting wicked people. Going to amazing places. I’m relishing it.
Filming typically takes a bit away from the climbing experience, since you have to stop all the time and shoot.
The fashion industry certainly has its obscene sides. The cost of a coat can be obscene. So can the cost of a photo shoot if you’re working with a really good photographer.
I’m trained to look for certain things… I shoot, I shoot, I shoot, and then I go find it in the ether.
Working on a film, the setup for an action sequence takes a long time, and we need to shoot the scene many times to get different angles.
When you loot or behave violently, you give grounds to those that try to justify illegal police abuse. You become the poster child for them to say, ‘See, we have no choice but to shoot and kill, or use a chokehold, because just look at the way they behave.’
I’m very good at delegating – people work much better when they have a real sense of responsibility. But at the same time, I don’t like surprises. I don’t pore over every shoot, but I do like to be aware at all times of what’s going on.
In America, they shoot budgets and schedules, and they don’t shoot films any more. There’s more opportunity in Europe to make films that at least have a purity of intent.
The stag tells him that he is the eldest of the sons – the father’s favorite – and he warns the father that if he tries to shoot any of the stags, their antlers will tear him to pieces.
Usually in a Smosh sketch, we get 60 shots, 12 hours to shoot – we’re just going ‘bam, bam, bam.’
Nonviolence means avoiding not only external physical violence but also internal violence of spirit. You not only refuse to shoot a man, but you refuse to hate him.
I still say, ‘Shoot for the moon; you might get there.’
I wear sunscreen every single day – I just don’t go out of the house without it. I also try to get enough sleep, eat as healthy as I can and keep hydrated. I have very sensitive skin, and depending on what products are used on a shoot, my skin can break out in an instant.
I know how hard it is to shoot the basketball, so I’ve got great appreciation for it.
The year after I graduated from high school, they came to shoot ‘Mr. and Mrs. Bridge’ in Kansas City.
I can be intimidating, but not within the confines of a film shoot.
The enemies of freedom do not argue; they shout and they shoot.
My curiosity sustains me for the period of the shoot.
It’s a hard thing to do, to be given a script, and know that you’ve got to turn up on the first day of the shoot – generally without having had any rehearsal – and present a character. It’s really baffling; it’s incredibly hard to know how to begin, to approach it, other than just thinking about it.
I can’t say too much about it because I don’t know a lot. We’re not told what’s in store for our characters until we turn up to shoot the episode. But it’s fair to say that Betty and her son bring a brand new mystery to the street and they will be around all season.
Now I know a lot about my body, like how important it is to eat well, as it makes you stronger in the end and helps prevent injuries. Or when you train, do you just start to shoot, or do you have a good warm-up first?
I think it’s really difficult to justify converting a film that wasn’t shot in 3-D into 3-D. I really do believe, as does James Cameron and all the people who are actually pro-3-D, that you have to go out and shoot it that way. You have nothing but compromise if you don’t.
There were mornings in the make-up trailer where I’d have fits of laughter because of the extraordinary daily events of the shoot. Sometimes, it was all too much to believe. But the wildest things happened.
A lot of the point mags are going out of business. They dropped the pay tremendously and it’s all because of the internet. I used to go out once a month to LA and shoot for one week. I’d make a ton of money then come back to New York and do whatever I wanted.