On a film, you do your own work, you come together and meet on set, and then you shoot. It’s great.
To shoot a movie that takes place in three decades in 30 days is a lot on the hair and make-up team.
When I wrap a job, I disconnect with it, and I’m done, even if they said we’d shoot more next year, at this time, which is not the case at all because nobody knows what’s happening.
God is not on the side of the big battalions, but on the side of those who shoot best.
I think each shoot has a different personality.
You kinda don’t know what’s going to make a good song. You’ve got to shoot around in the dark for a little while.
You see a lot of European influence coming in with bigger guys having a larger skill set, shoot the ball, handle the ball, pass the ball. I’m hoping that’ll develop into something I can do.
I love unsalted almonds, especially if I’m about to do a photo shoot or compete. There’s no mess, and they’re so easy to pack in a little Ziploc bag to take with you. It’s my number one go-to snack!
I’m two-footed. I prefer to dribble with the left and shoot with the right.
I still haven’t figured out how to have fun on a shoot.
Television is such an evolving medium. When you’re doing a TV show, it’s not like you just shoot for six weeks and you’re in an editing room with all of your footage. It’s like a guitar or a car, you have to fine tune things. You stop doing what’s not working, you work on what is working and you add things that do work.
When I shoot actors, I have that dilemma. I want the actor to be good, and sometimes I have to push them to a place that isn’t pleasant. I always think: ‘Is it worth doing for the sake of the movie?’ But I have to remember the bigger picture.
In Jamaica High School in New York, my coach was Larry Ellis, and he said I could probably make the Olympic team. He gave me something to shoot for.
If they didn’t have an Oscar for people to shoot for, all they’d do is be making ‘Dumb And Dumber’ again and again.
Shoot the bad guys and I’ll gladly sing a tune for you.
You do need to edit yourself as you shoot because you have fewer options in a smaller movie. In other words, when I’m shooting a big movie, and I got an 85 day shooting schedule or more, then I’m saying I have enough time to shoot option A and B and C and D for every scene.
I’ll never forget the modelling shoot I did in the Bahamas on a pink sand beach at Harbour Island. It felt like I’d just landed in paradise; it was so beautiful.
I’ve been very hands-on with everything I’ve done since I had my children. And it’s just really important for me to understand the big picture, where everybody’s coming from, what’s the real purpose of this shoot and this song, or whatever it is in that moment that I’m doing.
I never casually shoot shots, ever. I shoot the same way every time. I shoot the same shots that I’d shoot during the game.
The Cruise missiles do not frighten anyone. We are catching them like fish in a river. I mean here that over the past two days, we managed to shoot down 196 missiles before they hit their target.
When I came back to Dublin I was courtmartialed in my absence and sentenced to death in my absence, so I said they could shoot me in my absence.
Golf is a game in which you yell ‘fore,’ shoot six, and write down five.
Common sense should tell us that there is no reason for civilians to have access to easily concealable handguns with the capability to shoot through body armor.
I shot ‘Blue Valentine’ on 16mm for the past, and for the present on the Red Camera. I feel that both formats are valid. The stories should dictate the format we shoot on. Filmmakers should have a choice.
In the World Wars, people were perfectly able to shoot other people just because they belonged to the wrong country, without ever asking what their opinions were. Faith too is like that.
I tried to film ‘Leaves of Grass’ in Oklahoma, but it was literally about a million dollars less to shoot in Louisiana.
You see the music videos and the bling and the cars, but all of that goes home at the end of the shoot. They make nothing because there’s less and less money in the music industry.
Honestly I just shoot the ball and it goes in.
I shoot, I score. He shoots, I score.
You know, differentiating between training and matches. If they are all matches it becomes very natural to shoot them, although Dan thinks I should shoot more of them. I think I shoot plenty of them.
Sports formed me. I was always decently skilled but lacked size, so I had to resort to using my skill versus my power. I strategically play golf because that’s all I can do. It’s the same on the basketball court. I try to get open and shoot it. Or I use the open space on the soccer field.
You should shoot for high standards, and believe they’re obtainable.
When you’re working with film, you can only shoot one angle at a time, and then everything has to stop, and you re-light it and shoot everything else from the opposite side, so it’s really important that you stick exactly to what’s written.
My character in ‘Fresh Meat’ is quite prim and tidy, and then I basically had no make-up for the whole shoot of ‘Kidnap and Ransom’ – apart from a bit of Vaseline to make me look even sweatier!
I’ve always painted or drawn pictures or taken still photographs; now I shoot movies. It’s just about making images, really.
There are things that I will always shoot, but now that the modeling and acting worlds are becoming very close, you can do a little bit of one and more of the other.
There was a time when I was in the South, singing, and someone came to me before the show and said, ‘There’s been a threat on your life. Someone had phoned in and said they were going to shoot you if you go on stage.’ I was singing ‘Chances Are,’ and I kept moving so they wouldn’t have a shot at me.
I always considered, with every shoot, I was on trial; every time I pick up my camera and start out on the relationship, I am at degree zero. There is no coasting.
I try to do as much as I can, but I simply can’t shoot two films at a time.
In my real life I live in the countryside, I walk a lot, I shoot clay pigeons, I don’t get involved in the film business or anything, and then in my cinematic life, I think I am drawn to the dark side.
It would be a disappointment for me to take a job, as often happens, having to shoot out-of-town and not where I live.
I am a total workaholic. If I don’t shoot for two days, I get uncomfortable at home. I won’t comment on my personal life. That is totally out of bounds. When I do get married, everyone will know.
We can either allow our youth to shoot baskets or watch them continue to shoot people.
Women… can’t live with ’em… can’t shoot ’em.
I’d always intended to make ‘Far North’ straight after ‘The Warrior.’ We had the rights to the short story, the script was in development, and I knew where I wanted to shoot it. It just took a long time getting the script together and raising the finance.
Barking dogs occasionally bite, but laughing men hardly ever shoot.
In high school, my mom’s friend was a location scout, and there was a shoot at our house. I came home from school, and the photographer said, ‘You should call my friend at this agency.’
We all know what happens to first ladies who shoot their mouths off.
I remember the first time I went out on the street to shoot pictures. I was in downtown Philadelphia, and I just took a walk and started making contact with people and photographing them, and I thought, ‘I love this. This is what I want to do forever.’ There was never another question.
In a photo shoot, you have to be very comfortable in your own skin. It’s all about confidence-boosting and putting on armor.
Anytime I shoot a video, I just think of anything I can do to set myself apart from everybody in the music industry.
There’s no way around it – drama is very difficult to shoot. It’s very heavy and something that you carry with you for the course of the day.
I love doing fiction. I love doing performance films and I love doing documentaries that don’t have music. I love to shoot and I love to shoot things I’m enthusiastic about.
I just want get to as high as I can go. I think that’s the safest and most politically correct thing I can say. I’m not trying to take anyone’s spot. I want to create my own lane and shoot to the sky.
I love Jamaica so much. I’ve been there so much, and I think it would be great if we could shoot a movie there.
I appreciate Love Advent because they like to experiment with creatively different concepts that are unforgettable and fun to shoot!
I’ve shot a lot of places, and I’ve produced. I always thought, ‘Gosh, when you shoot in a big city, it’s so difficult.’ And New York, I always think, ‘Where are you going to park the trucks? How are you going to stop the traffic?’
As Prime Minister of Israel, I will introduce a bill into the Knesset that will simply pay the Arabs not to shoot at the Jews.
My job requires me to always be on. I’m always getting my makeup done for a shoot.
The Clinton Administration has turned out to be a boon. I knew that he would be wonderful, I just knew it from the beginning. From Arkansas? Shoot.
The set of ‘Mayaanadhi’ had a positive vibe. The shooting was during the rainy season. There were interruptions; some days we could shoot only one shot. But, we were happy in whatever we did.
