I think I’m taking risks and putting myself out there.
I think my worst enemy was myself. It’s like I’ve been in my own way more than anybody else has been.
‘Seat at the Table’ has expressed real adversity, struggle, and also triumph and joy.
Most artists are going into the studio for a fixed period of time, and they say that’s their album. I can’t relate, because I’ve never made music in that way. I come from a culture of editing and remixing.
You can never have enough reinforcements, resources for black women to thrive in the world. The topic has been addressed a million times before, but it will never end because what we’re up against keeps morphing, and we have to figure out how to beat it.
I know my ticket is vulnerability. Most people point to some emotional experience, some hardship, some high or low when they talk about my music… a time when they need to feel those feelings more.
I’m just trying to soundtrack your real life. I’m just trying to give you a place to feel safe in all the parts of your experience.
When I was growing up… I’m not going to say I listened to everything, but when it comes to vocals, I was really adamant about imitating all kinds of voices.
I try to make it a sonic experience so that when you put your earbuds in or when you’re in your room, it sounds like an enveloping feeling. I think that is the most important thing, that wherever you are, it is wrapping you up and making you feel safe and comfortable.
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