Wynton and Christopher were really great experiences for me because they are both very gifted artists.
I knew it was called ‘Dunkirk,’ Christopher Nolan was directing it, and it was a war film. That was all anyone knew.
Atheism is a moral position – a rather rigid one, if you’ve ever read the opinions of its highest-profile espousers, Christopher Hitchens and Richard Dawkins.
I remember one time when all the nuns in my Catholic grade school got around in a semicircle, me and Mom in the middle, and they said, ‘Mrs. Farley, the children at school are laughing at Christopher, not with him.’ I thought, ‘Who cares? As long as they’re laughing.’
My favorite of all time will always be Christopher Reeve. He’ll always be Superman in my eyes.
Christopher pushed the boundaries beyond anything anyone could expect from any human being.
I love discovering new young brands and watching these fashion lines take off, like Peter Pilotto, Christopher Kane, and Clover Canyon.
I’ve been really lucky because I’ve managed to become wonderful friends with a handful of very talented British designers. Christopher Kane has become one of my very good friends – also Erdem. Jonathan Saunders is another brilliant talent who’s very kind. We all hang out.
There’s only a handful of people who are just purely, inherently funny, and I’m not one of them. I need content and a situation. I don’t just walk on the screen, and people go, ‘Ha ha ha!’ There are people like that, and they can do almost anything. It’s the Christopher Walken Rule.
You make yourself do the physical aspects for a Christopher Nolan film!
Writing for me is not a premeditated act. It just happens – characters keep coming out of nowhere and doing things I never expected them to do. The most persistent and most productive of these has been Paul Christopher, whom I didn’t expect to see again after he appeared in ‘The Miernik Dossier.’
Chris Hemsworth is like Christopher Reeve in that he can do two things: he can wear a big red cape without a shred of self-consciousness. But he’s also funny as hell, and he’s so sweet. So with all the fish-out-of-water stuff, he’s so funny. So he does almost two jobs in a way.
Working with Christopher, he convinced me he could fly, and he’s convinced me he’s going to walk again.
Christopher Hitchens’s autobiography, ‘Hitch 22’, is a poignant read and very interesting because I have a very poor knowledge of recent political history – or, for that matter, distant political history.
I’m an enormous admirer of Christopher Lee. He’s somebody, along with Vincent Price, who I celebrate, and I wanted my movies to show that celebration and that honoring of these great film stars that were unafraid to go into horror and Grand Guignol and the macabre.
I discovered Christopher Isherwood in college. His writing style is so direct, warm, and inclusive.
The first day of shooting I walk up to Christopher Walken, and I said, Should I call you Mr. Walken or Chris? He goes, ‘Call me Flash.’
I just look back, and I say, you know, Christopher Guest just raised my whole career to another level.
It was Christopher’s brilliant concept that he did not want this to become like every other sitcom where you do one take, and the audience gets bored with seeing it ten times, you know, over and over again.
Christopher Reeve did such an amazing job that to give him some kind of accent or more bravado would have been wrong. Audiences wouldn’t have responded to that either.
My co-winners, Peter Diamond and Christopher Pissarides, and I wish to thank the Royal Swedish Academy of Sciences and the Nobel Foundation for this very great honor. We each feel privileged and humbled to be named the winners of the 2010 Sveriges Riksbank Prize in Economic Sciences in Memory of Alfred Nobel.
The late Christopher Hitchens had the professional contrarian’s fixation on attacking sacred cows, and rather soon after his cancer diagnosis, he became one himself.
Christopher Finazzo had a great job that paid him millions of dollars, but this honest living was apparently not enough to satisfy his greed.
I’m heavily involved in the creative with choreographer Christopher Scott. I go to rehearsals with ‘Glee’ and then practice with LXD till about midnight.
I wear a St. Christopher medal. On the back it says: ‘Good luck, good luck, good luck – Mama.’
Christopher Nolan’s ‘The Prestige’ is an enthralling study of doubles, doubling and duplicity. Its twinned themes are obsession and the Secret: the Secret as objet-a, that which inspires, but which can never satisfy, obsession.
I love Maje, Rick Owens, Helmut Lang, Christopher Kane, Felder + Felder, and Sam Edelman shoes.
London is a city of ghosts; you feel them here. Not just of people, but eras. The ghost of empire, or the blitz, the plague, the smoky ghost of the Great Fire that gave us Christopher Wren’s churches and ushered in the Georgian city.
I would love to interview Michael McKean and his wife, who wrote the songs for ‘A Mighty Wind,’ which is my favorite Christopher Guest movie. I’m just a sucker for any funny guy that has a wife who is intelligent and that he collaborates with.
No, well, my father’s definitely not Christopher Walken.
I would love to work with Christopher Nolan, 100 percent.
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