Words matter. These are the best Live Music Quotes from famous people such as Carla Bley, Michael Rapino, John Rzeznik, Tessa Virtue, Du Yun, and they’re great for sharing with your friends.
When you are studying jazz, the best thing to do is listen to records or listen to live music. It isn’t as though you go to a teacher. You just listen as much as you can and absorb everything.
Our goal is to continue to be a global consolidator of the live music business.
One of the things about live music that’s so incredibly important and can’t be replaced and automated is the common focus of a room full of people having that human contact and being immersed in the sensory overload of a rock concert.
We’ve had the good fortune of performing to live music a few times in our career and it always creates a different dynamic.
It’s about how you’re using the space. That’s what makes live music.
Live music is proof that there’s some things the Internet can’t kill. In our lifetime, we’re going to see more and more things start to disappear and get gobbled up by the Internet, but live music won’t be one of them.
Musicians are there in front of you, and the spectators sense their tension, which is not the case when you’re listening to a record. Your attention is more relaxed. The emotional aspect is more important in live music.
I watch a lot of live music, and I love the theatre, especially musicals.
There’s nothing better than live music. It’s raw energy, and raw energy feeds the soul.
When I was growing up, every show had live music. Now, almost none have live music. Probably 97 percent of the shows on television are probably synthesized, or mostly synthesized, and that’s a shame.
One of my first bartending gigs was on Santa Monica Boulevard at Doug Weston’s Troubadour, a very famous live music venue.
Live music is the cure for what ails ya.
I love live music and I love to see people’s faces when I’m performing.
I am lucky to live in Austin, so I can enjoy the live music.
I love being in the studio, and I am a huge fan of live music. Without writing good stuff in the studio, you have nothing to play live.
I think live music is really, really important. And I think it’s very important to do together. It’s much more fun to play to music together than the one person listening to their lone iPod Shuffle. I think it’s an amazing way to build community and have children do things that are funded that’s not a videogame.
Quite frankly, I’ve always listened to the black side of the radio dial. Where I grew up, there was a lot of it and there was a lot of live music around.
‘Lost,’ at its core, is a science-fiction show. Live music helps lend an air of legitimacy to this otherwise crazy storyline. It makes a big difference.
Live music is healthy.
There’s nothing better than live music, I think.
Music TV in the U.K. is disappearing. ‘Top Of The Pops,’ ‘CD:UK’ and shows like that have gone, and it’s bringing down the music industry. We should do as much as we can to keep our music TV and producers need to be more willing to accommodate live music.
I think live music is really, really important. And I think it’s very important to do together. It’s much more fun to play to music together than the one person listening to their lone iPod Shuffle. I think it’s an amazing way to build community and have children do things that are funded that’s not a videogame.
Fewer and fewer bars are doing live music. Instead it’s more DJs and dance parties.
There’s nothing better than live music. It’s raw energy, and raw energy feeds the soul.
I think I was made for live music. It’s just great.
Live music is so powerful. You can really feel things that you will remember forever. I remember going to my first gig and I want to create that atmosphere for people.
When I was growing up, every show had live music. Now, almost none have live music. Probably 97 percent of the shows on television are probably synthesized, or mostly synthesized, and that’s a shame.
It’s been really interesting watching people’s reactions to the new music, to the old music and also watching how modern young people will be standing in front of something going on like live music, and there’s a camera in front of their face.
Women do not like CDs of live music. We only like the original recordings. If a song sounds different from the version we fell in love with, then it’s awful.
There wasn’t a lot of live music that you could hear where I came from, which was a small town in southeast Missouri.
I am lucky to live in Austin, so I can enjoy the live music.
I’m one of those guys that is still a bit afraid of the telephone, its implications for conversation. I still wonder if the jukebox might be the death of live music.
I love seeing live music.
I just think, certainly for live music it should look as good as it sounds.
I love live music and I love to see people’s faces when I’m performing.
With so many ways to communicate at our disposal, we must not forget the transformative power of a live music experience and genuine human exchange.
It’s about how you’re using the space. That’s what makes live music.
Live music is so powerful. You can really feel things that you will remember forever. I remember going to my first gig and I want to create that atmosphere for people.
As rich as Cincinnati was in live music, New York was even more.
I love watching live music. It’s one of the reasons I love living in Austin, Texas, because there is so much live music.
Live music is where you get the inspiration and the creativity.
There’s nothing better than live music, I think.
Live music is better.
The power of live music is vast. Live music is a wonderful way to spend some time.
It’s been really interesting watching people’s reactions to the new music, to the old music and also watching how modern young people will be standing in front of something going on like live music, and there’s a camera in front of their face.
I’m a big fan of live music and going to gigs, but I’ll leave it to the professionals.
We always go out looking for live music after our shows.
Fewer and fewer bars are doing live music. Instead it’s more DJs and dance parties.
I was born in Alabama and my first live music experiences were in church. Every Sunday we watched regional gospel groups on television singing their hearts out.
Music TV in the U.K. is disappearing. ‘Top Of The Pops,’ ‘CD:UK’ and shows like that have gone, and it’s bringing down the music industry. We should do as much as we can to keep our music TV and producers need to be more willing to accommodate live music.
Mick Jagger has been an idol of mine since I was 10 years old. Through his music, he has taught me so much about rock n’ roll, but also about the blues and about the experience of live music, going to several Rolling Stones shows, growing up.
Live music is so important. Growing up, it was so important for me to go out and see it, and it inspired me.
I grew up to the sound of live music in our Brooklyn household.
SDC has a great reputation for putting live music on stage.
There’s nothing to compare to live music, there just isn’t anything.
That’s why people come to live music, right? To see something go wrong, something human, something vulnerable.
I just think, certainly for live music it should look as good as it sounds.
I watch a lot of live music, and I love the theatre, especially musicals.
Musicians are there in front of you, and the spectators sense their tension, which is not the case when you’re listening to a record. Your attention is more relaxed. The emotional aspect is more important in live music.
There’s nothing to compare to live music, there just isn’t anything.
Live music is so important. Growing up, it was so important for me to go out and see it, and it inspired me.
But then I’m one of those guys that is still a bit afraid of the telephone, its implications for conversation. I still wonder if the jukebox might be the death of live music.
We’ve had the good fortune of performing to live music a few times in our career and it always creates a different dynamic.
The virtual choir would never replace live music or a real choir, but the same sort of focus and intent and esprit de corps is evident in both, and at the end of the day it seems to me a genuine artistic expression.
All of the silent films had live music accompaniment, so it’s actually a very rich period in music.
Hee Haw was probably my biggest exposure to live music at a young age, because there wasn’t any live music around my town and no one in my family played instruments.
I felt from time to time that shooting live music is the most purely cinematic thing you can do. Ideally, the cinema is becoming one with the music. There is little artifice involved. There’s no acting. I love it.
I have a whole iPod full of exceptionally bad music, truly awful stuff including a disproportionate number of one hit wonders from the early ’80s and lots of hair bands. I find it utterly impossible to love a song until I know every single word, so listening to live music or new bands is pretty much out.
That’s why people come to live music, right? To see something go wrong, something human, something vulnerable.
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