Top 80 Real Person Quotes

I’m just a real person and I tell it like it is. I don’t have a lot of secrets, which has been a fault of mine.

When it comes to the British monarchy, I prefer to be seduced by an image than presented with a real person. It’s kind of a Warhol thing.

I remember my grandmother’s husband dying. But I think I was older. I think I was 7 or 8 when he died. But I remember that being the first real person I knew who died, and I – and that my parents didn’t let me go to the funeral. And I remember feeling like it was really unfair.

My joy as a writer is circling around and around and down and down to find out who the real person is.

Filmmakers are stuck with my glamorous image. Even if I sit in track pants and a T-shirt, I will still look glamorous. That’s the way I am. But there’s more to me. I’m a real person.

I’m am really a real person.

My livelihood depends on my surface beauty, but when I wash my face, I see a real person there.

A lot of people judge others too quickly without actually knowing the full facts or the actual real person.

I like to play people that are real, a real person, and then something that’s interesting with that person. I think it’s a lot more challenging to do that than something that’s extremely fantasy-like.

If Barbie was a real person, she’d be, like, 10 feet tall in order for her legs to be proportionate to her torso.

Elvis is this thing, this commodity, and people forget that he was a real person.

I get apologies from Gamergaters pretty regularly saying: ‘I didn’t think you were a real person.’

Having health insurance made me feel like a real person. Up until then, it felt like I was getting away with something, and if three things went wrong, it would all fall apart.

I don’t know if it’s harder but when you’re playing a real person you want to honor their memory – even if they’re a criminal or someone that the public loathed. That can be challenging.

Not everyone relates to being a blond girl with blue eyes and is proportioned so she could barely walk if she was a real person.

There’s a lot of journalism about poverty, but sometimes it just helps to see that there’s a real person who becomes a real mom, who is working with unsustainable wages that could eventually destroy her.

I don’t care who you are, if you’re not feeling anxious before playing in a final, you’re not a real person. I don’t care who you are.

We, people, are so very, very complicated that no matter how well drawn a fictional character is, they can’t get anywhere near as complex as a real person.

And once you cease to be a real person, you stop being a good actor.

I don’t see myself in terms of artifice. I see myself as a real person who chooses to live my life in an open way – artistically.

There is the real person I am, and there is the stage persona.

I hope people gravitate to me because I am a real person, and I strongly believe if you put out good energy, it will come back to you.

What was so extraordinary to me about going through this box of my mother’s letters and diaries was meeting my mother not as my mother, but as a real person. And what breaks my heart is that I had no idea how self-aware she was and how protective of me she was.

I’m not handled. I’m not crafted by slick, high-priced consultants. I’m a real person, a genuine person, a struggling person in Connecticut.

If you’re playing any real person, live or dead, you certainly have a responsibility to produce that reputation in some way.

I don’t think the Internet is necessarily a dangerous place. It’s only dangerous if you don’t make people earn your trust. You can’t take people at their word. You got to do a little digging and make sure to verify that you are talking to a real person or the person that you think you’re talking to.

I’m a very real person that has overcome a lot, so I think I’m relatable.

When you’re playing a real person, there’s a balance between playing the person in the script and playing the person as he was in life. You have to be respectful and true to who that person was, but at the same time tell the story in the film.

I’m an artist but I’m also a real person. I have bills like everyone else.

My dad’s more three-dimensional than Opie Taylor or Richie Cunningham. He even has a temper! He’s a real person. But some people are disappointed by that.

I’m a real person, and I’m angry. I’m trying to use this celebrity thing to get people some help. AIDS, poverty, racism – I want to be one of the hands that helps stop all that. I’ll put it on my shoulders. I’ll charge it to my account.

‘Inherent Vice’ was a novel that already existed, and in ‘Steve Jobs,’ I was playing a real person; in those situations, you do feel an added pressure to please.

I met a zillion people through Ronnie Wood. He’s been my friend since he was in The Faces, and he’s still my best friend. A real person, earthy, working 24 hours a day, uplifting to be around, and he’s still got that fire about music.

If you write a story based on a real person, you’re trapped by the details of the real person and his life. It gets in the way of writing your own story.

None of the characters I played was very close to me as a real person.

When you’re playing a romantic version of a real person, you’re playing a version of the truth.

In ‘The Smurfs,’ I was actually a live action character. So, I was a real person in that movie. But I was working with animated characters, which is very strange because they’re off recording their work, and we’re kind of reacting to nothing when we’re doing the film.

I like the sounds of real, living, breathing musicians. When a real person plays something, there’s a soul. They’re giving you their emotions.

When you see who I am, you’re getting a real character, a real person. R-Truth, that’s me.

When Miranda first started becoming popular, not many people knew who she was. People were confused by her. They thought she was a real person. I got a lot of interesting responses.

And I think when you’re playing someone who is a real person, it’s extremely important to take the time and put in the effort to learn about who they are to be able to respectfully portray that.

There’s a certain amount of pressure that comes from playing real people. It’s a pressure to deliver something fair and right to the real person and any living relatives. But generally, it’s a joy, as you get to target your interest on a particular era.

I just feel as though it’s become a situation where people have manifested this caricature of who I am, and they act as if there’s no real person inside of it.

I want people to see that I’m a real person, I overreact, I cry, I’m emotional. If I come across as perfect and in control, that wouldn’t be who I really am.

I feel like when you’re a celebrity, people dehumanize you and they forget you’re a real person.

Obviously, as an actor, when you re playing a real person, it is an extra challenge.

It was a tricky part to play, because Herriot is both a fictional character and a real person.

Everybody is responsible for their own actions. It’s easy to point the finger at somebody else, but a real man, a real woman, a real person knows when it’s time to take the blame and when to take responsibility for their own actions.

I’m a woman, a mother, a daughter, a sister. I’m a real person operating in the world. For me to discuss the most private thing feels wrong. It feels like I’m betraying myself and my children.

I’m just a real person, not a caricature.

Cardi B really is like having a sister in the industry. She’s a real person, extremely humble. She’s amazing.

I want people to know me as a real person, that I struggle with the same things they do, that I had to teach myself how to get through life in efficient ways.

I even kind of eat well 80 percent of the time and have my treats 20 percent of the time. I don’t just eat salads, but I truly believe in eating healthy foods, fresh fruits and vegetables every day. I’m a real person.

‘Funny People’ is my favorite performance of myself to date. Even though it’s a comedy and there are serious moments, I really felt like Leo felt like a real person. It didn’t feel like I was playing myself. Whether it’s a comedy or drama, I just try to make it as realistic as possible.

John McEnroe is the most honest and real person I have ever interviewed.

In the ‘Nude Descending a Staircase,’ I wanted to create a static image of movement: movement is an abstraction, a deduction articulated within the painting, without our knowing if a real person is or isn’t descending an equally real staircase.

In recitals, you are naked before the audience – well, naked with your jacket and tails. The audience sees and hears the real person, not some role you are interpreting.

It’s not good just to have life experience of film-making and that’s all. It’s hard to play a real person when you’ve been in jets and town cars for three years.

You can be empathetic to a character in a book in a way that you can’t with a real person, which is weird, because you know everything there is to know about them.

I’m a real person that cares about his art and cares about what he’s doing. I have a heart and a soul and I want to touch people and give.