Top 95 David Bowie Quotes

I think Mustique is Duchampian – it will always provide an endless source of delight.

I re-invented my image so many times that I’m in denial that I was originally an overweight Korean woman.

I’ll tell you who I absolutely adore: Ian McEwan.

The name Zahra was to have been lman’s own name at birth, but a senior member of the family changed it to lman at the last minute.

Now I realize that from ’72 through to about ’76, I was the ultimate rock star. I couldn’t have been more rock star.

I thought that I wrote songs and wrote music, and that was sort of what I thought I was best at doing. And because nobody else was ever doing my songs, I felt – you know, I had to go out and do them.

Funk, I don’t think I have anything to do with funk. I’ve never considered myself funky.

You get to a certain age, and you are forbidden access. You’re not going to get the kind of coverage that you would like in music magazines; you’re not going to get played on radio, and you’re not going to get played on television. I have to survive on word of mouth.

Once I’ve written something it does tend to run away from me. I don’t seem to have any part of it – it’s no longer my piece of writing.

I wish myself to be a prop, if anything, for my songs. I want to be the vehicle for my songs. I would like to colour the material with as much visual expression as is necessary for that song.

Pixies and Sonic Youth were so important to the eighties.

To not be modest about it, you’ll find that with only a couple of exceptions, most of the musicians that I’ve worked with have done their best work by far with me.

You would think that a rock star being married to a supermodel would be one of the greatest things in the world. It is.

I’m looking for backing for an unauthorized auto-biography that I am writing. Hopefully, this will sell in such huge numbers that I will be able to sue myself for an extraordinary amount of money and finance the film version in which I will play everybody.

I change my mind a lot. I usually don’t agree with what I say very much. I’m an awful liar.

Searching for music is like searching for God. They’re very similar. There’s an effort to reclaim the unmentionable, the unsayable, the unseeable, the unspeakable, all those things, comes into being a composer and to writing music and to searching for notes and pieces of musical information that don’t exist.

Everything I read about hitting a midlife crisis was true. I had such a struggle letting go of youthful things and learning how to exist and have enthusiasm while settling into the comfort of an older age.

I always had a repulsive need to be something more than human.

I feel confident imposing change on myself. It’s a lot more fun progressing than looking back. That’s why I need to throw curve balls.

I have all the admiration in the world for somebody like Bono, who really puts himself on the line and tries actively to do something about our world situation.

From my standpoint, being an artist, I want to see what the new construction is between artist and audience.

There are times when I prefer a cerebral moment with an artist, and I’ll just enjoy the wit of a Picabia or a Duchamp. It amuses me that they thought that what they did would be a good way of making art.

I don’t crave applause. I’m not one of those guys who comes alive on stage. I’m much more alive at home, I think.

I’ve started doing book reviews for Barnes & Noble! They saw that I did a lot of book reviews on the site, and they figured that it might not be a bad thing if they got me to do some for them as well. I gave them five categories I’d be interested in reviewing, from art to fiction to music.

I went through all the musicians in my life who I admire as bright, intelligent, virtuosic players.

What I do is I write mainly about very personal and rather lonely feelings, and I explore them in a different way each time. You know, what I do is not terribly intellectual. I’m a pop singer for Christ’s sake. As a person, I’m fairly uncomplicated.

I’m not a prophet or a stone aged man, just a mortal with potential of a superman. I’m living on.

I wanted to imbue Ziggy with real flesh and blood and muscle, and it was imperative that I find Ziggy and be him.

Radio in England is nonexistent. It’s very bad English use of a media system, typically English use.

All Montreal bands have around nine members, I believe.

It amazes me sometimes that even intelligent people will analyze a situation or make a judgement after only recognizing the standard or traditional structure of a piece.

All art really does is keep you focused on questions of humanity, and it really is about how do we get on with our maker.

With a suit, always wear big British shoes, the ones with large welts. There’s nothing worse than dainty little Italian jobs at the end of the leg line.

Glam really did plant seeds for a new identity. I think a lot of kids needed that – that sense of reinvention. Kids learned that however crazy you may think it is, there is a place for what you want to do and who you want to be.

There are half a dozen subjects that I return to time and time again, and that doesn’t bother me. Because most of my favorite writers do that, to hunt down the same topic or theme from different directions each time.

The truth is of course is that there is no journey. We are arriving and departing all at the same time.

Since the departure of good old-fashioned entertainers the re-emergence of somebody who wants to be an entertainer has unfortunately become a synonym for camp. I don’t think I’m camper than any other person who felt at home on stage, and felt more at home on stage than he did offstage.

I cannot with any real integrity perform songs I’ve done for 25 years. I don’t need the money. What I need is to feel that I am not letting myself down as an artist and that I still have something to contribute.

If I had a talent, it was for looking askew at everything, possibly more than my contemporaries. But I had to really push myself to be a writer.

I was born in London 1947, after the war. A real wartime baby. I went to school in Brixton, and then I moved up to Yorkshire, which is in the north of England. I lived on the farms up there.

When you think about it, Adolf Hitler was the first pop star.

I’m in awe of the universe, but I don’t necessarily believe there’s an intelligence or agent behind it. I do have a passion for the visual in religious rituals, though, even though they may be completely empty and bereft of substance.

For me, the world that I inhabit in reality is probably a very different world than the one people expect that I would be in.

What I have is a malevolent curiosity. That’s what drives my need to write and what probably leads me to look at things a little askew. I do tend to take a different perspective from most people.

I still derive immense pleasure from remembering how many hod-carrying brickies were encouraged to put on lurex tights and mince up and down the high street, having been assured by know-it-alls like me that a smidgen of blusher really attracted the birds.

I think it all comes back to being very selfish as an artist. I mean, I really do just write and record what interests me and I do approach the stage shows in much the same way.

I’m well past the age where I’m acceptable. You get to a certain age and you are forbidden access. You’re not going to get the kind of coverage that you would like in music magazines, you’re not going to get played on radio and you’re not going to get played on television. I have to survive on word of mouth.

Strangely, some songs you really don’t want to write.

I’ve always regretted that I never was able to talk openly with my parents, especially with my father. I’ve heard and read so many things about my family that I can no longer believe anything; every relative I question has a completely different story from the last.

Fame can take interesting men and thrust mediocrity upon them.

As you get older, the questions come down to about two or three. How long? And what do I do with the time I’ve got left?

What I like to do is try to make a difference with the work I do.

I guess, taking away all the theatrics or the costuming and the outer layers of what I do, I’m a writer… I write.

I think much has been made of this alter ego business. I mean, I actually stopped creating characters in 1975 – for albums, anyway.

Tomorrow belongs to those who can hear it coming.

I don’t have stylistic loyalty. That’s why people perceive me changing all the time. But there is a real continuity in my subject matter. As an artist of artifice, I do believe I have more integrity than any one of my contemporaries.

I don’t like to read things that people write about me. I’d rather read what kids have to say about me because it’s not their profession to do that.

I think Mick Jagger would be astounded and amazed if he realized that to many people he is not a sex symbol, but a mother image.

I still derive immense pleasure from remembering how many hod-carrying brickies were encouraged to put on lurex tights and mince up and down the high street, having been assured by know-it-alls like me that a smidgen of blusher really attracted the birds.

I wanted to be Gerry Mulligan, only, see, I didn’t have any kind of technique. So I thought, well, baritone sax is kind of easier; I can manage that – except I couldn’t afford a baritone, so I bought an alto, which was the same fingering.