Words matter. These are the best Acoustics Quotes from famous people such as Joshua Bell, Billy Gardell, Louise Jameson, Christopher Buckley, Jon Pardi, and they’re great for sharing with your friends.
Stradivarius, in particular, was the most amazing craftsman and one of the great artists and scientists that ever lived because he figured out something with the sound and the science of acoustics that we still don’t understand it completely.
I like those older theaters – the acoustics are perfect, I mean, you just have that feel of there’s been a thousand shows in there and now you get to be one.
I think it’s one of my favourite theatres ever, so quirky and wonderful and steeped in history. The space is wonderful and the acoustics are brilliant.
With real estate, it’s location, location, location. In public speaking, it’s acoustics, acoustics, acoustics.
I like hearing fiddles, steel guitar, acoustics up loud – really rock & roll stuff but with a country sound behind it. That’s just who I am. I’m not trying to prove a point; I am just doing what I like. But I don’t have any problems with any other artist coming in and doing their own thing.
Performing arts buildings are complex. The acoustics, the sight lines and all that have to just be perfect. So you begin with just making these things sublime as musical instruments. And if you fail there, you have failed it all.
Although a crisp texture is the single most prized quality in an apple – even more desirable than taste, according to one study – crispness is more a matter of acoustics than of mouth feel.
If you’re playing in a room that holds 15,000 people, it’s just a question of how bad the room acoustics are and in what way they’re bad.
The Smith Center is a theater where you want to keep the lights on. The acoustics are amazing, and this is a stage that was built for sound.
From my earliest childhood, my attention was specially directed to the subject of acoustics, and specially to the subject of speech, and I was urged by my father to study everything relating to these subjects, as they would have an important bearing upon what was to be my professional work.
At first acoustics attributed to the different sounds only a limited number of characteristic features.
It’s like an electroacoustic, surround-sound cello gamba. It embodies everything that fascinates me the most – acoustics, playing instruments, digital processing, movement of sound. Somehow, everything is combined in Ómar.
I prefer to sing in the shower ’cause the acoustics are really, really good, I mean, when you’re singing against the tile walls then you really hear yourself, hear your voice, you know, throwing itself back at you.
The great problem of the concert hall is that the shoebox is the ideal shape for acoustics but that no architect worth their names wants to build a shoebox.
I prefer to sing in the shower because the acoustics make you sound great, baby.
