I have not given much credence to reviews of my films. Sometimes they’re wrong, but it didn’t matter to me.
When ‘Braveheart’ came out it got terrible reviews, it didnt last very long in the cinema and didnt make much money.
Nobody mentioned this in any of the reviews, but the reason we came up with that plot for ‘Reno 911: Miami’ is because we thought it was just the stupidest title for a movie that we could think of.
All the major sports have video reviews, and for some reason, the Premier League, which is watched all around the world, is still in the dark ages.
I grew up in New York, so I had a lot of access to all kinds of movies, and I would handwrite reviews of them on loose-leaf paper.
It’s a fantastic review. Sixty percent of the American reviews are sensational, 20% are mixed, not so good.
I did a movie ‘I Love You, Man’ and it got great reviews; it was very enjoyable.
Generally, I get bad reviews in Turkey.
I don’t spend sleepless nights over getting very bad reviews.
I love reviews. Anybody who tells you they don’t read reviews is a liar.
They’re called ‘angels’ because they’re in heaven until the reviews come out.
I’ve had lots of commercial success. I’ve also had some terrible reviews and some wonderful reviews.
I love science. I hate supposition, superstition, exaggeration and falsified data. Show me the research, show me the results, show me the conclusions – and then show me some qualified peer reviews of all that.
What I do find enormously gratifying is the reviews my books get from the American press. They are so on the ball compared to anywhere else. It’s so satisfying to get a review that conveys the reader understood precisely what I was trying to get at.
In so many reviews that I’m reading of ‘The Florida Project,’ everyone is assuming it’s my second film.
I was in my last year in high school when I began to think of becoming a dancer. I had never seen a Broadway show; we never even read the theatrical reviews.
I find that there are few reviews that extol women as wonderful artists.
When you think of technology that gets people excited – long lines at stores, enthusiastic reviews in the blogosphere, passionate evangelists – the first thing to come to mind probably isn’t thermostats. Then, along came Nest.
I don’t read the reviews because it somewhere affects my work. If some critic doesn’t like a movie, I can’t keep his criticisms in mind the next time I am making a film. Even if someone writes a great review about my film, I don’t want to be affected by it.
I read magazines and reviews. If consensus says something is good, I’ll get it and see what’s going on.
