Top 33 Vertigo Quotes

We hate it when movies, right off the bat, tell you who this character is, where they’re from, why they are the way they are. Even ‘Vertigo,’ one of the greatest movies ever made, starts off by explaining why Jimmy Stewart has this fear of heights.

From the vertigo, I found out how far I can push myself physically and also mentally.

Vertigo is the conflict between the fear of falling and the desire to fall.

It gives me vertigo to watch TV dramas.

That’s a little homage in a way to that and also to create that sort of creepy atmosphere that Hitchcock did. Vertigo was one of his great movies that was shot right here in The City and it’s about a woman and the psychological twists and so forth.

The first big long-form work I did in comics was ‘Scalped’ for Vertigo, which ran for 60 issues.

I tried so hard with movies like Vertigo and Middle of the Night and others. I felt those would show me that it’s only a matter of time before I’d find the right one to reach out and touch people.

Vertigo’s always been a label that experiments with new stuff and forms of subversion.

I went to college in New York. I interned at Vertigo, and then I interned at Marvel working for Chris Claremont. Just to age myself, this was in 2000.

I’m working on a new creator-owned series for Vertigo called ‘The Discipline.’

I feel like Vertigo is a place to have an adult discussion for adult readers.

Basically, I really love work that puts the reader into a kind of vertigo, into a real doubt, and a beautiful way to convey that, a really perfect metaphor for that, is to make the reader also experience doubt.

I have been battling vertigo for a long time. It’s something that I deal with on a daily basis.

Some films that I love, I love them also because of the music. ‘Vertigo,’ for example, is a movie where the music is doing 70 percent of the job.

The DCU Constantine has to be the guy we know and love, with his same failings – otherwise what’s the point of using him? But as I’m writing him, he’s younger and has perhaps been through a bit less than the battered, aging old sod we meet in Vertigo.

After a couple of years at Vertigo, I realized that if I was going to be a professional artist, I’d have to devote myself to it full time, so I ended up leaving my job there and went freelance.

I wanted to be a film composer because I heard scores that could stand alone, from ‘Vertigo’ to ‘Star Wars’ to ‘La Dolce Vita,’ because this music has so much history. They’re weighed with the history of music. They come from somewhere, they have a past.

But I have vertigo… I lose my equilibrium easily. I can lean out to look at something and just keep leaning and not realize I’m about to fall.

The work I did in Vertigo meant nothing if no one cared about the movie. Luckily, Vertigo had a revival and people had begun to recognize there was something special and it gained in reputation. But it just as well could have ended up rotting in film cans somewhere.

I hadn’t watched any Hitchcock movies when I made ‘Tom at the Farm,’ except for ‘Vertigo’ when I was 8 years old. I don’t have a sophisticated film knowledge, but I have seen the legacy of classic movies in broader entertainment.

The vertigo is a difficult thing: it just comes and goes whenever it pleases. I wasn’t expecting it. I’ve had it before, and there have been years between stretches, and unfortunately it happened at the U.S. Open, and that knocked me off my feet.

If you read the whole Vertigo ‘Animal Man’ series of 89 issues or whatever, each writer has a completely different take on his origin. If you try to put them all together, they contradict one another. I had to pick and choose to make up a new origin that makes sense to new readers.

Having set its tonal template, Vertigo Crime laid low for a few months before starting in earnest at the beginning of 2010.

Vertigo, it was thought at the time, could only be caused by a disease of the cerebellum. He observed this kind of patient for years and saw absolutely no symptoms of brain disease.

For a while, my favorite movie was ‘Vertigo.’ Everything in that movie was captivating to me.

I always loved when James Stewart did roles that were not so dialogue-based, like ‘Vertigo.’

Since childhood, I’ve been a fan of mysteries – ‘Nancy Drew’ lovers unite! – but ‘Vertigo’ struck me as an entirely new take on the genre.

My one criticism of Vertigo Crime to date is that it’s been a boys’ club, reveling in violence that, while entertainingly lurid, lacks depth. Of course, the comics world is deliberately double-dimensional – and shouldn’t apologize for being so.

I have vertigo. Vertigo makes it feel like the floor is pitching up and down. Things seem to be spinning. It’s like standing on the deck of a ship in really high seas.

In a VR setting, you tilt your head up, and you really have the vertigo and the sense that it goes up to infinity, and it’s like you’re in New York City or Dubai, and you’re looking up at a giant skyscraper. You have a sense of awe.

I will say that Vertigo is an area of great interest to me. It is even less well tapped than other parts of DC, and could potentially offer amazing stories for our future television video game, digital and consumer products businesses.

My father has positional vertigo, and if he flies he gets really dizzy, so he has to drive out to California, which he does a couple times a year. We talk, but we e-mail mostly.

I’m trying to adapt – they say you have to adapt to vertigo.