Just the textures of things are really important to me as I’m writing; I think atmospherics and visuals can have such emotional impact if you can harness the thematic thread between how scenes look and how your characters feel. I like to tug on that thread.
Since I started as an actress in the film industry, I realised the power of visuals and how that can fuel the imagination of our mind. It is very powerful. Therefore, I always cater to my own sensibility first and then to the world.
I get bored with the same old film coming out every weekend. It feels like it’s the same story all the time, and the same visuals, and the characters’ dilemmas are remarkably similar.
I draw on a lot of cinematic influences like Ingmar Bergman and Wim Wenders, artists who let a story take its time. Comics are a visual medium, and visuals should be allowed to tell some of that story.
I used to be very controlling with visuals and editing, and I would pretty much craft the performances; now I have learned to trust the material and the actors.
Commingling keenly felt emotion, madcap humor, and retina-bursting visuals, ‘Missing Link’ is a kaleidoscopic cinematic experience unlike any other.
I don’t think we have reached a point where art really translates into science. Perhaps for some people, having good visuals can help translate into science.
The Internet is the vehicle we’re driving to share our visuals, outrage, and ideas around the world.
My interest in filmmaking was always very much the visuals and images.
In a silent film, the visuals are of utmost importance.
Pages: 1 2
