I was always a guy who could score the ball as a kid, but everybody wanted to score. And I always wanted to be different in some type of way.
My primary job is to score runs and make KKR win, and that’s what I am trying to do. Rest, I don’t think too much. That’s how I have always played my game.
It’s not normal to score four goals in a game.
It’s always great when a defense is able to create turnovers and score. That’s something we missed last year. We’d get some turnovers, but we never scored points.
If I’m in a good position to score then I’m happy to put the ball in the back of the net, but if I’m not, and I see someone in a better position, I’ll give it to him.
I thought my life would seem more interesting with a musical score and a laugh track.
Everybody tries to score a great goal, and I am lucky I have netted a few.
I grew up a huge jock, a lot of basketball and football. We had a pond in my back yard growing up, and we played a lot of hockey, too. I loved to score goals.
‘Humans’ would definitely score really well on the Bechdel test – the one that tracks how well represented women are in drama.
I want my little corner of the world where I get to make games where you’re not trying to win or lose; you’re not trying to get a higher score – you are having unbelievable amounts of fun as you learn about yourself and the world. That’s what games can do!
‘River of Light,’ to a dense but powerful score commissioned from Charles Wuorinen and with ravishing lighting by Mark Stanley, has depth and resonance.
I think ‘Easy Rider’ might have been the first time that someone made a film using found music instead of an orchestral score. No one had really used found music in a movie before, except to play on radios or when someone was singing in a scene.
The score I always have on heavy repeat is ‘Raiders Of The Lost Ark!’
Good comedy films, if you listen to the score, the music is not trying to be funny. It’s always, in a way, underscoring the tragedy and struggle of the main character.
To win you have to score one more goal than your opponent.
That’s one of the neat things about ‘Call of Duty.’ There are areas in the game where we were able to score the gameplay.
When I need to exorcise a demon, I grab whatever score is going to house the song I need to sing out of my system, and I sing it.
Every time you step onto the field, you have to set goals. My goals are to either score a goal, to have an assist, or to play well.
I don’t think it’s a problem if you play well and don’t score, when you are creating chances.
I’m not saying I didn’t have ample time to recover, ample time to get to my best, I felt this year I did fine. When I stepped on the field for the national team, I was ready and able to make an impact, to score goals, to create chances.
We used to have championships in the streets with my friends, and whoever scored a goal was the happiest boy in the world. Now, every time that I score, I go back to being a child: the happiness of scoring a goal is unexplainable.
It doesn’t matter whether you move your feet or not; if your head is still and body is in balance, you can score lots of runs. This I learned from Tendulkar.
I like to score and create goals. If a team-mate is in a better position, you need to search for him.
Some people say I run too much, and by the time I arrive in front of goal, when I have to provide the finish, I am tired. But this is just my way of playing. I need to do this to score goals.
I’ve got a philosophy I call ‘no dancing in the end zone.’ You score, get back, and run another play.
Moreover, if a song is a hit, film makers come to us with requests to score similar tracks. In the process, commercial songs sometimes sound repetitive.
I was born to score goals, I feel. How I score them – how I get the ball into the back of the net – might have changed. The actual ability of what I was born to do will never leave me.
Brushing up on your short game at the practice area is fine and good, but taking it with you to the golf course – when your score is really on the line – is another story.
I am happy with my form; I just need to score a couple of goals. I want the ball. I want to create something.
There are artists who delight listeners with their wild and daring individuality; there are others who uncover the written score with reverence. There are few who can do both.
If they don’t score, we can’t lose.
My homies that are around me never give me that ‘star pass.’ I’ve hung out with some stars who are playing basketball and everyone let’s them score all the baskets. Shooting pool, they let them make all the shots. My homies don’t let me get away with that.
For me, I read and react. I think when I have time and space, I’m a threat to score or a threat to make a really nice play.
As a forward, when you have not scored for a while the desire to score gets stronger and stronger and ultimately that can work against you because you are trying too hard to do what comes naturally.
I’m never going to be seen as an attacking midfielder who’s going to dribble past anyone, create untold chances, and score lots of goals, but going forward is something I’ve always enjoyed doing.
For anyone, the most important thing is to play good, to perform good, to score goals for your team.
I was a No. 9 for so long and that’s what I knew. And I think, me as an attacking midfielder, or any kind of midfielder, I should be in and around the box and have that mindset that I’m going to score and help my team as much as possible.
I think positive. I always think we’re going to score. Two minutes is a lot of time if you have timeouts and you’re throwing every down. You have to make the right decisions. I’ve always had great receivers, which helps. It’s not just me doing it.
I wish I could score everything for horns.
Cristiano has unique qualities, brings danger in one-on-one situations, and has the ability to score and find something different.
