The process of composing the film score for each movie is completely different. They all have their own personality and their own completely different life, but there’s never been a formula. Each time, it’s a new thing.
Shoot a lower score than everybody else.
When you watch Barcelona play you want to see Lionel Messi score two goals. If he hasn’t after 80 minutes you can perhaps get restless.
I haven’t written a score that’s going to change the Western world or the musical as we presently know it.
I want to score more than 20. It’s my job. But it is not an obsession for me ahead of winning titles for the team.
I’m happy, and when I score the goals, it is a bonus for me.
I like how the other guys are stepping up. If we keep this up, then Bell does not have to score 25 points a game for us to win.
When I have to score a film, I watch the movie first and then start thinking about it. And from that moment on, it is as if I were pregnant. I then have to deliver the child, so from that moment on, I think always about the music – even when I go to the grocery store, I think about it.
When I decide to score, I score. I know I am strong, but I believe it is not enough yet. I can kick fine, dribble very well, but I still have to improve.
Everyone knows I am fast, so I have to change the way I play. I always know I have to change the way I score. Every game is different.
I want to score goals and make goals.
An NBA star is a role player. Your role is to score a lot of points; your role is to get a lot of rebounds.
A captain shouldn’t be chosen on the amount of goals he’s going to score.
People can say I’ve not scored enough goals, but you see the best strikers on the wing in a four-man midfield and see if they score goals. Nobody can really criticise my finishing because they don’t really see me playing in a forward position too often.
After you score 300 runs in one innings, you begin to feel that every innings should be close to this one. Of course, I know that won’t happen. But I will be disappointed if I get going well and am unable to convert it into a huge score.
I love to score runs rather than defending or leaving the ball. That is an important aspect of my batting: I don’t want to waste balls in any form of the game.
‘The Graduate’ must be the best use of songs ever in a movie; it adds a layer to the movie you wouldn’t ever get from a score.
You don’t want your opponent to score. You don’t want your guy to score and once you get better at it, you get used to it, it becomes a mindset. You just try to do it every game.
Now, I’m back to my old ways: Needing to be the leader, needing to score.
I have learned a lot playing in domestic first-class cricket: how to score runs, how to counter situations.
If I score against Tottenham, trust me – I’m going to celebrate.
As wrestlers, we’re not trying to hurt or damage physically our opponent. All we’re trying to do is score points and get our hands raised, so I think that’s where we differ from the UFC, but I think that also the way in which we could address each other could be cool from a competitive spirit.
In France, the matches are sometimes very tight, and so it is difficult to score. A free kick can unlock a game.
When you score in the first minutes, everything changes.
Of course I want to score.
To be a great game, one of the teams has to score first.
If you have a bad story on your hands, you have a bad story on your hands, and no amount of score re-working is gonna save that.
It’s fine by me, even if I score with my hand.
I am not hugely concerned about the amount of goals we score – it is the final results that are the difference.
I’ve been put up in great hotels from a very young age, so I’ve been spoilt. What I can’t stand is when I arrive somewhere and the room isn’t ready. You call housekeeping, and it takes them three hours to get the room into shape. I’m afraid to say that the Hilton in London was not too good on that score.
My favorite film score is the one Thomas Bangalter created for ‘Irreversible.’ The soundtrack absolutely defines the daymare-into-nightmare feeling you get from the film.
I’ve never seen a player that can dominate a game the way LeBron James can. He don’t always have to score. He makes plays for other guys. But when the game is on the line, and you need a shot to be made, he’s going to make that play.
There’s a lot of money in doing score music. You can get a chance to get nominated for an Oscar; I would love to get nominated again.
I’m a striker. it’s our job, and it’s true that we need to score, and I am happy when I do.
For me, it is very important to control a situation in defence. You can always score goals, but you have to add stability in the defence.
The night has always been my friend. When I go out I feel good, then I always score goals.
I would do the occasional score. I thought it was the most thrilling thing. It was instant. You made the music and they played it right away to millions of people. I found it thrilling.
Now I’m kind of different. I’m not saying I lost my spark – I still have it – but I don’t chase the goal as much as I used to. I’m playing for the team and I still know I can score, but it’s different than two or three years back.
I can score with the first team or the second team. It really doesn’t matter with me because I can create my own shot.
When I come off the ball screen, I’m always trying to draw another defender, so where I can get my teammates open, and if not, I can score the basketball.
It was important to score points today and I went for them with my guts.
When Sondheim was visiting the Library of Congress, where the manuscript of ‘Porgy and Bess’ is housed, he was so overcome with emotion while holding the score in his hands that he shed a tear. He shed several tears, but one of the tears actually fell onto the original manuscript. And he was horrified.
I’ve always wanted to shoot a good percentage for my team, because I’m the point guard, and I can take fewer shots, still score more, so that I can get my teammates feeling good about themselves. That was always my feeling – that if I shoot a high percentage, I don’t have to shoot a ton.
It’s never been about my own runs. If I can score as many as possible to get us into a position to win, then I’ll be a very happy man.
The delight you feel in that split second you score your first hundred is so intense it can’t be repeated.
It never became an obsession for me to score at all costs. I’ve always said that I’m not a big scorer, I’m a worker.
There was a Yugoslav film about partisans that I’ve done the music for, and then I’ve promised to score a French film called ‘Biribi’ about detention camps at the turn of the century.
I am an attacking midfielder, and I have scored goals, but I want to score more and win more.
There are certainly more people in the business world who would score high in the psychopathic dimension than in the general population. You’ll find them in any organization where, by the nature of one’s position, you have power and control over other people and the opportunity to get something.
You want to score runs at the highest average you can. That’s what motivates you to keep driving the standards.
To go out at Wembley and score is what you dream about as a kid.
In high school, AAU, even prep school, I didn’t really know how to play basketball. It was kind of like, ‘Let’s throw the balls out, go get buckets, just score, and go play.’
The most difficult thing in football is to score a goal.
He always scores the opening goal. Because it is one thing to score 30 goals with hat-tricks in easy wins, and another that 20 of those 30 goals are enough to win 1-0. Nobody does that as well as Diego Costa.
For me I don’t care if I don’t score or assist if we win the game.
I feel good next to Zlatan. He is a player of great class. He scares opponents because he can score at any moment.
In Chinese culture, it wouldn’t occur to kids to question or talk back to their parents. In American culture, kids in books, TV shows and movies constantly score points with their snappy back talk. Typically, it’s the parents who need to be taught a life lesson – by their children.
If you score runs against an international attack, the self-belief automatically increases.
My parents are my backbone. Still are. They’re the only group that will support you if you score zero or you score 40.
Yes, many times an assist is more difficult than a goal; you need to find the right space and measure the force used in order to provide your teammate with the right position in order to score.
I don’t know why, but playing for England, I always feel I am going to score.
I’m not the type of player that’s going to run in behind or go past three and score.
Let’s say music is needed for only 43 seconds of film. You have to score it so it is an entity, so it won’t bother anyone when it ends so quickly. Or if a song runs 2 minutes and 45 seconds, but the titles run a minute longer, you have to arrange that song so it doesn’t get repetitious.
People make up their mind on whether you’re a good player over seven games at a World Cup. You’re great if you score goals and bad if you don’t. I will always believe in myself, and those who doubt me will always continue to do so.
