My Aunt Minnie would always be punctual and never hold up production, but who would pay to see my Aunt Minnie?
The main reason why it is profitable to establish a firm would seem to be that there is a cost of using the price mechanism. The most obvious cost of ‘organizing’ production through the price mechanism is that of discovering what the relevant prices are.
I have a big family and had to move them all from the coast of Oregon to New York three times for the workshops and for the actual production itself, which had about a four month development rehearsal schedule.
Let me tell you something – compared to a TV-drama production schedule, touring is not strenuous.
From a production point of view, I still have one foot firmly planted in the independent film world, and much of the shooting on ‘Jumper’ was done ‘Swingers’-style because that was the only way we could afford to do it.
When you look at the social cost of carbon – and there is a lot of ambiguity around that – what you also need to be doing is looking at the benefits of carbon and what that has on increased agriculture production.
Every increase of protective duties is necessarily followed, in the present condition of our country, by an expansion of the currency, which must continue to increase till the increased price of production, caused by the expansion, shall be equal to the duty imposed, when a new tariff will be required.
Obviously I know if you’re putting yourself out there, saying, ‘Hey! Listen to my music!,’ with pictures of yourself in the magazines, then people are going to judge you. ‘I hate her music. I hate her hair. I hate her production. I hate her videos.’ Fine: don’t care. That’s the great thing about art: it’s not for everyone.
What I worry about is not just Nissan, but Japanese manufacturers losing motivation to maintain production in Japan. The high yen is definitely a headwind.
She put her hands around the neck of our production manager, and you know, started to choke him.
My father used to act in high school. He was in a production of ‘Othello;’ I don’t know who he played, but it wasn’t Othello. He would talk about it, though, and read Shakespeare to me.
Justice requires that everyone should have enough to eat. But it also requires that everyone should contribute to the production of food.
I was drafted and went to Korea where I had an opportunity to create a production team that did dramatic and comedy shows. I had also done a little disc jockeying.
I was introduced to the world of modern food production in the mid-1990s, while researching an article about California’s strawberry industry for the ‘Atlantic Monthly.’
Despite its many critics, hydraulic fracturing will change the nature of energy production.
For the last five years I’ve been in the production business.
Over the past two years, the Obama Administration and USDA have worked to build a foundation for sustainable economic growth in rural America. At the center of our vision is an effort to increase domestic production and use of renewable energy.
Art is the production of objects for consumption, to be used and discarded while waiting for a new world in which man will have succeeded in freeing himself of everything, even of his own consciousness.
With nine degrees of warming, computer models project that Australia will look like a disaster movie. Habitats for most vertebrates will vanish. Water supply to the Murray-Darling Basin will fall by half, severely curtailing food production.
It is time for Congress to provide relief for tobacco farmers. Since the 1930’s tobacco production has been regulated by a quota system, which required farmers to purchase quota in order to grow tobacco.
The social inefficiency of capitalism is going to clash at some point with the technological innovations capitalism engenders, and it is out of that contradiction that a more efficient way of organising production and distribution and culture will emerge.
The first prize for any production is, if you can find a location that means you don’t have to build sets, that will serve, and is not excessively expensive to hire, then it can save you a lot of money.
The first play I was ever in was ‘Cinderella,’ a children’s production in Los Angeles when I was only 8. It was strictly a children’s show which played weekends for about a year and which included such songs as ‘Long Ago and Far Away’ and ‘True Love.’
I’ve been approached in the past to option my stories for television, but prior to Evergreen, there were no assurances the production would be filmed in Alaska.
‘Flying Down to Rio’ established RKO as a leader in musical film production throughout the 1930s. The film helped to rescue the studio from its financial straits and it gave a real boost to my movie career.
As an independent artist, you control the means of production, which is the ultimate form of empowerment.
When you affect consumption, production falls, and when production falls, employment falls and when unemployment rises, it affects poverty.
From my years of work with so many game show production companies and their producers I’m probably no longer eligible to be a contestant on any American game show.
I started out in pre-law. I was going to go to law school. And I saw a production of ‘Tally’s Folly’ that spring term. I took a theater class that term and auditioned for ‘Harvey’ at the end of the summer, and I was in a play every semester after that.
It has been my fate in a long life of production to be credited chiefly with the equivocal virtue of industry, a quality so excellent in morals, so little satisfactory in art.
With Cold Sassy Tree having its first production, I saw no necessity to do anything other than produce it with the correct setting.
Capital is a result of labor, and is used by labor to assist it in further production. Labor is the active and initial force, and labor is therefore the employer of capital.
I would love to learn how to start my own production company and start it in Boston.
At one point, I was seriously considering playing Huck Finn in a production in Northern Maine in the dead of winter.
Before you approach a production entity or even a potential producer, you should write up a treatment and register your show with the Writers Guild of America.
It is obvious that the greatest and most important service that is required of our agriculture under existing conditions is an enlarged production of the staple food crops.
You can muscle your way to the top as long as you’re part of the production, which I am. I’m knitted into the money, so it’s very hard to extricate me from the decision-making dynamic.
We need to break our dependency on foreign sources of oil, which leaves us at the mercy of foreign powers. To do that, we should increase domestic energy production.
We rest our case on the production numbers.
The production of wealth is the result of agreement between labor and capital, between employer and employed. Its distribution, therefore, will follow the law of its creation, or great injustice will be done.
I started working in the oilfield upon graduating high school. I was on the service end of it, driving tank trucks for Johnny Geer for a couple years and learning about oil and gas production. I had a whole cadre of mentors.
Protectionist politicians cannot stand the notion of a fossil-fuel-rich America maintaining record levels of production through exports.
Urban conservationists may feel entitled to be unconcerned about food production because they are not farmers. But they can’t be let off so easily, for they are all farming by proxy.
Cereal production in the rain-fed areas still remains relatively unaffected by the impact of the green revolution, but significant change and progress are now becoming evident in several countries.
In Europe, there is no television filmmaking legislation that could assist film production because private broadcasters are not interested in supporting Polish film.
Fuel conservation is as important as fuel production.
Soaring prices for crude oil, falling production surpluses, wild speculation in commodities, a rush into the precious metals, turmoil in the Middle East, assertive oil producers: it is 1973-74 all over again, and at dictation speed.
Large-scale deforestation can be prevented while increasing food production through better, smarter agriculture.
I get offers to do huge-budget music videos with big production companies all the time, but I have no interest.
When I was on the ’70s Show,’ I had that and I had ‘Punk’d’ and I had my own production company. That pretty much sealed up all my time.
If you just hold your cell phone for 30 seconds and think backwards through its production, you have the entire techno-industrial culture wrapped up there. You can’t have that device without everything that goes with it.
With ‘Defenders,’ we had some very barebones ideas, but the bulk of it came together very quickly over in Ibiza. The main thing I like about that record, looking back on it now, is the change in the texture of the production from ‘Screaming For Vengeance.’
In the ordinary affairs of life we do not require nor expect demonstrative evidence, because it is inconsistent with the nature of matters of fact, and to insist on its production would be unreasonable and absurd.
I was producing demos for a band that was called Physical Ed. Out of production of demos I went and did a few jam sessions with then in Northern California clubs, but I never actually toured with them.
